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It’s as if Shute got the thriller stuff out of his system, and was ready to write life as it was. I can’t remember which, but as I recall if you read his books in order, around the third or fourth book there’s a moment when the mediocre characters in a mediocre plot find themselves sharing a quiet moment poking at some coals in a small fire. Born in 1899, his early books are horrible 1920s spy thrillers. I find he tracks me theory of middle age expansiveness pretty well. Shute is a beloved author of mine, whose entire corpus I’ve read. A literary comparison springs to mind - Nevil Shute. In middle age, she is at her most reflective. Love, beauty, the nature of attachment, ideas of femininity and masculinity, childrearing, depression - everything. Contrast with her earlier book Condundrum (1974), which is all reflection and deep thoughts on just about everything. Almost like a description of the decor of her life. Even the subject of her wife’s dementia - surely a spur to thoughts on the nature of being - is mentioned with something close to dispassion. Much of it is about that day’s weather, favorite trees, how she talks to people in the neighborhood, being Welsh, current politics, and so on. I would say it’s almost startlingly in the moment for someone who anticipates dying at almost any time. It is almost entirely trivial, and hardly even reflective. She wrote it when she was 91 and 92, and it was published in 2020. I got to thinking about this reading Jan Morris’ recent book of published daily reflections, Thinking Again. Not necessarily peak quality or peak beauty - peak likeliness to concern themselves with big questions about things like sex, death, meaning, their place in the universe, and so on. Andy Mangels edited issues #14 to #25 and a special issue featuring Barela Mangels changed the title to Gay Comics starting with issue #15, in part to divest it of the “underground” implications of “comix”.Įxcerpts from Gay Comix were included in a 1989 anthology titled Gay Comics.I have a theory about writers, which is they reach peak expansiveness around age 50 or so.
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The first four issues were edited by Cruse issues #5 through #13 were edited by Triptow.
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Kitchen Sink Press published the first five issues of Gay Comix thereafter it was published by Bob Ross, publisher of the Bay Area Reporter gay newspaper. Lee Marrs and Trina Robbins, two of the original members of the Wimmen’s Comix Collective. Syndrome, Satyr, and the cover of issue #3 Robert Triptow, editor of issues #5 through 13īurton Clarke, creator of Cy Ross and the S.Q. Howard Cruse, editor of the first four issues
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Roberta Gregory, who created Dynamite Damsels (1976), the first lesbian underground serial comic book, and the character Bitchy Bitch Mary Wings, creator of the first one-off lesbian book Come Out Comix (1972) and Dyke Shorts (1976)Īlison Bechdel, who created Dykes to Watch Out For and whose graphic novel Fun Home was adapted into a Tony Award-winning Broadway musical All three editors made a deliberate effort to feature work by both women and men.Īrtists producing work for Gay Comix included
#Gay porno comics series#
It is generally less sexually explicit than the similarly-themed (and male-focused) Meatmen series of graphic novels. The contents of Gay Comix were generally about relationships, personal experiences, and humor, rather than sex. Gay Comix also served as a source for information about non-mainstream LGBT-themed comics and events. Autobiographical themes include falling in love, coming out, repression, and sex. Much of the early content was autobiographical, but more diverse themes were explored in later editions. Created by Howard Cruse, Gay Comix featured the work of primarily gay and lesbian cartoonists. Gay Comix (later spelled Gay Comics) is an underground comics series published from 1980–1998.